2013 was the second year that Zoryana Bazylevych exhibited with The Warhol Effect: Lemko Jerusalem in southern Poland. Zoryana studied decorative arts and textile design in Lviv, she has a law degree, and also works as a book cover designer and an illustrator. One of her significant exhibitions was held in April 2013 in Lviv, in the largest exhibition hall in Ukraine, The Palace of Arts. She showed thirty of her still-lifes and landscapes described by the critics as “a diary of emotions secured in by colors in a manner of folk fairy tales, often using a childlike perspective, yet not so much infantile as unhampered by stereotypes.”
Nevertheless, which dimension of childhood fairy tales are we getting here? I dare say it is not the ephemeral quality of barely-there fairies and invisible beings that make you consider magic. It is rather the solid quality of the land and the people’s connection to it that colored their everyday striving and their imagination which helped transferring to the next generation the tradition, wisdom and beauty, but also doubts and fears. Zoryana captures this complex verbal tradition and makes it visual. Her paintings are rich, firm and substantial, they do not disappear into a haze at the first sign of approaching human footsteps. They will stand their ground to reveal the story of the inspiration that is behind them.